Line 6 M13 Stompbox Modeler Cross Comparison Chart
The Tone King | Dec 18, 2009 | Comments 2
Okay – Boys & Girls – if you’re looking for the MOTHER of all pedal boards ~AND~ Switching systems … look no further, b/c here it is. Below is the full cross comparison chart of Line 6 Models as found on their M13 Stompbox Modeler.
Line 6 | Modeled Pedal | |
Delay | ||
1 | Tube Echo | Maestro EP-1 |
2 | Tube Echo DryThru | Maestro EP-1 with dry signal |
3 | Tape Echo | Maestro EP-3 |
4 | Tape Echo DryThru | Maestro EP-3 with dry signal |
5 | Multi Head | Roland RE-101 Space Echo |
6 | Analog Echo | Boss DM2 Analog Delay |
7 | Analog W/MOD | Electro-Harmonix Deluxe Memory man which is Delay & Chorus |
8 | Sweep Echo | Maestro EP-1 with added sweeping effect |
9 | Sweep Echo DryThru | Sweep Echo with dry signal |
10 | Lo Res Delay | Early (8 bit) digital delay |
11 | Digital Delay | Digital Delay with bass & treble controls (echo) |
12 | Digital Delay w/MOD | Digital Delay with Chorus |
13 | Stereo Delay | L.A. 80’s solo (fast echo with slow delay) |
14 | Ping Pong | 2 channels, ping pong delay effect |
15 | Reverse | backwards delay up to 2 seconds |
16 | Dynamic Delay | T.C. Electronics 2290 Dynamic Digital Delay |
17 | Auto-Volume Echo | Volume fade-in swell (bowing) + tape-style echo modulation |
18 | Echo Platter | Binson EchoRec (think Pink Floyd) |
19 | Echo Platter DryThru | Binson w/ dry thru signal |
Modulation | ||
20 | Opto Tremolo | 64 Fender Deluxe Reverb Blackfast optical tremolo circuit |
21 | Bias Tremolo | 60 Vox AC-15 Tremolo bias-tube tremolo circuit |
22 | Pattern Tremolo | Lightfood Labs Goatkeeper (vintage keyboard sequencer tremolo) |
23 | Phaser | MXR Phase 90 |
24 | Dual Phaser | Mu-Tron Bi-Phase (big jet sound) |
25 | Panned Phaser | Ibanez Flying Pan (4-stage phase shifter w/ panner) |
26 | Barberpole Phaser | modular synths (always up / always down effect / stereo for both) |
27 | Script Phaser | MXR Phase 90 (EVH Ain’t Talking Bout Love) |
28 | U-Vibe | Uni-Vibe (Hendrix Machine Gun) |
29 | Analog Flanger | MXR Flanger |
30 | Jte Flanger | A/DA Flanger |
31 | AC Flanger | MXR Flanger (EVH Unchained) |
32 | 80A Flanger | A/DA Flanger (original spec) |
33 | Analog Chorus | Boss CE-1 Chorus Ensemble (big pedal) |
34 | Tri-Chorus | Song Bird DyTronics Tri-Stereo Chorus |
35 | Pitch Vibrato | Boss VB-2 |
36 | Panner | left / right panning |
37 | Rotary Drum | Fender Vibratone rotating speaker effect (SRV Cold Shot) |
38 | Rotary Drum & Horn | Leslie 145 tube driven rotating speaker |
39 | Dimension | Roland Dimension D (1st true stereo chorus unit) |
40 | Ring Modulator | weird / strange / non-traditional guitar sounds |
41 | Frequency Shifter | up / down / shifted frequencies |
Distortion | ||
42 | Tube Drive | Chandler Tube Driver (Eric Johnson) |
43 | Screamer | Ibanez Tube Screamer TS808 |
44 | Overdrive | DOD Overdrive/Preamp 250 (Yngwie) |
45 | Classic Distortion | ProCo Rat (70’s) |
46 | Heavy Distortion | Boss Metal Zone |
47 | Color Drive | Colorsound Overdriver (British Invasion) |
48 | Buzz Saw | Maestro Fuzz Tone (think Rolling Stones Can’t get no Satisfaction) |
49 | Facial Fuzz | Arbiter Fuzz Face (Hendrix / Johnson) |
50 | Jumbo Fuzz | Vox Tone Bender (Led Zepplin Communication Breakdown) |
51 | Fuzz Pi | Electro Harmonix Big Muff Pi Muff / Sustainer |
52 | Jet Fuzz | Roland Jet Phaser (Fuzz & Phaser in 1 – Scorpions) |
53 | Line 6 Drive | Colorsound Tone Bender |
54 | Line 6 Distortion | 100% Line 6 over the top distortion |
55 | Sub Octave Fuzz | PAiA Roctave Divider Fuzz / Octave |
56 | Bass Octaver | EBS OctaBass (Jeff Beck) |
57 | Octave Fuzz | Tycobrahe Octavia Classic Fuzz + Octave) Hendrix |
58 | Boost Comp | MXR Micro Amp (The Edge, U2) |
59 | Volume Pedal | Line 6 EX-1 |
60 | Red Comp | MXR Dyna Comp (slide / Lowell George) |
61 | Blue Comp | Boss CS-1 Compression Sustainer w/ treble off) |
62 | Blue Comp Treb | Boss CS-1 Compression Sustainer w/ treble on) |
63 | Line 6 Vetta Comp | Line 6 Flagship Guitar Amp (2.35:1 adj threshold, 12dB gain) |
64 | Line 6 Vetta Juice | Line 6 Flagship Vetta II Juice (30dB of gain) |
65 | Tube Comp | Teletronix LA-2A studio compressor |
66 | Noise Gate | hiss / noise eliminator |
67 | Graphic EQ | MXR ten band (Kerry King / Randy Rhoads) |
68 | Studio EQ | API 550B |
69 | Parametric EQ | high shelf / low shelf / full para eq |
70 | 4 Band Shift EQ | lower / higher than standard eq |
71 | Mid Focus EQ | high bass / low pass eq |
Filter | ||
72 | Tron Up | MuTron III (envelope up) |
73 | Tron Down | MuTron III (envelope down) |
74 | Seeker | Z-Vex Seek Wah |
75 | Obi-Wah | Oberheim Voltage Controlled Sample & Hold Filter |
76 | Voice Box | Vocoder / Talk Box (Peter Frampton) |
77 | V-Tron | Voice Box / MuTron III – human voice |
78 | Throbber | Electrix Filter Factory |
79 | Spin Cycle | Craig Anderton’s Wah / Anti-Wah |
80 | Comet Trails | Line 6 Engineers on Mountain Dew |
81 | Slow Filter | Swell effect |
82 | Octisynth | Octopus |
83 | Synth-O-Matic | Vintage Analog Synths |
84 | Attach Synth | Korg X911 Guitar Synth |
85 | Synth String | Roland GR700 Guitar Synth |
86 | Growler | R700 meets MuTron III |
87 | Q Filter | Wah parked in 1 position (Mark Knopfler, Brian May) |
88 | Vetta Wah | Vetta II wah |
89 | Fassel | Cry Baby Super w/ Fasel indusctor |
90 | Weeper | Arbiter Cry Baby |
91 | Chrome | Vox V847 Clyde McCoy Wah |
92 | Chrome Custom | Vox V847 |
93 | Throaty | RMC Real McCoy 1 |
94 | Conductor | Maestro Boomerang |
95 | Colorful | Colorsound Wah-Fuzz |
96 | Smart Harmony | Eventide H3000 Harmonizer |
97 | Pitch Glide | Digitech Whammy |
Verb | ||
98 | 63 Spring | 1963 Brown Spring Reverb head unit |
99 | Spring | Studio Spring Reverb (springs in a metal box) |
100 | Plate | Studio Plate Reverb (thin metal sheet in a metal box) |
101 | Room | Acoustic properties of a classic echo chamber. |
102 | Chamber | Hall, stairwell or elevator shaft reverb type. |
103 | Hall | Concert hall, gymnasium, performance hall or cathedral (large open space) |
104 | Ducking | Hall with ducking effect. (Reverb reduced when playing and increases when you stop playing) |
105 | Octo | Line 6 original – Lush ambient space w/ harmonized decay |
106 | Cave | Cave echo chamber effect |
107 | Tile | Acoustic reflections of a tiled room (bathroom or shower) |
108 | Echo | Lush echo with reverb |
109 | Particle Verb | Line 6 original – turn your chords into lush modulated pads |
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